Related Paintings of unknow artist :. | Arab or Arabic people and life. Orientalism oil paintings 429 | Richard II of England presented to the Virgin and Child by his patron Saint John the Baptist and Saints Edward and Edmund | The Last Judgement | Fisherman from Akrotiri, Thera | the red stocking |
Related Artists:
Joseph Whiting Stock
1815-1855 American painter. He was physically handicapped and confined to his house until his doctor advised a wheelchair, which, when placed on a railway carriage, allowed him to travel. He took painting lessons as therapy from Franklin White, a pupil of Chester Harding, and became proficient as an artist. This enabled him to make a living painting portraits, landscapes and miniatures throughout New England and part of New York State. He kept a journal that lists 912 examples of his work executed between 1832 and 1846, with the names of his sitters, canvas sizes, the prices charged and where the pictures were painted. No examples of his landscapes have survived and only a few of his 80 miniatures have been located. The earliest miniatures date from 1836, but most were executed in 1842 and 1845 when he lived in New Bedford, MA. Few American primitive artists of the 19th century were as productive as Stock.
Arthur Fitzwilliam Tait
(February 5, 1819 -April 28, 1905) was an American artist who is known mostly for his paintings of wildlife. During most of his career, he was associated with the New York City art scene. Tait was born in Lively Hall near Liverpool, England. At eight years old, because his father went bankrupt he was sent to live with relatives in Lancaster. It is during that time that he became attached to animals. Later on, in Manchester, England, Agnew & Zanetti Repository of Art acquired Arthur Tait who began self-learning to paint, as a twelve-year-old boy.
Jean Baptiste Huet
(Paris, 15 October 1745-Paris, 27 January 1811) was a French painter, engraver and designer associated with pastoral and genre scenes of animals in the Rococo manner, influenced by François Boucher. Born into a family of artistse his uncle was Christophe Huet, his father Nicolas Huetehe apprenticed with the animal painter Charles Dagomer, a member of the painters' guild, the Academie de Saint-Luc, Paris, who was working in the 1760s. Huet's interest in printmaking and his acquaintance with Gilles Demarteau, who later engraved many of his compositions, both date from this period. About 1764 Huet entered the studio of Jean-Baptiste Le Prince, where he further developed his printmaking skills, largely reproducing his own paintings, a method of publishing them with some profit. In 1768 he was approved by the Academie Royale, and 29 July 1769 he was received (reçu) in the minor category (petite maniere) of painter of animals and was well received in the public reviews when he began to exhibit at the Paris Salon that same year, with a Dog Attacking Geese, now at the Louvre. He continued to exhibit annually until 1789, through his attempts at the grand manner of history painting, considered the noblest genre, were not met with approval.